#Sony image mixer software movie#
Despite the privations of a standard-definition camera and a quality-sapping optical relay setup, Similo looked so much like a real movie that it had many enthusiastic young hopefuls practically licking the screen in a desperate attempt to infect themselves with a morsel of whatever the glorious creator had. He’s one of those people who goes by a single name: Macgregor made a name for himself more than sixteen years ago with the short Similo, shot for a song on a then-cutting-edge DVX100 using – according to some sources – the Cinemek groundglass adaptor. The cinematographer on Mastery in the Making is someone whose genesis was certainly in the less generously funded region of filmmaking. Still, if someone were to suggest that Sony were not marrying its indie camera with an indie production, well, that’d be a pretty fair comment. The other way to look at it is that yes, cameras just like the FX30 can absolutely help people claw cinema-level results out of minimal resources, and there are absolutely ways to achieve things for pocket money.
Apply any tool above the filmmaking equivalent of amateur dramatics, and viewers complain that the process is relying too much on toys. This is a complaint familiar to anyone who’s been involved in material aimed at what might be politely termed the introductory level part of film and TV. The clue, though, is in that sentence: they’re gorgeous productions, and YouTube commentators have been quick to point out that the FX30 is not really positioned to be deployed on productions that gorgeous. The Viper was used for some spectacularly gorgeous productions, including The Curious Case of Benjamin Button and Zodiac. After all, practically every camera on the market, right down to the lowest-end options available that come up used on eBay, have much more performance than – say – a Viper from the early 2000s. The problem is that setups like those tend to make cameras look good. The behind-the-scenes material shows a rather upscale production in progress, with cranes, multi-axis stabilisers, huge lights (including Litegear’s inordinately large and spectacular colour-mixing Auroris cluster) and someone billed as one of the best swordfighters in the world. It’s not uncommon for camera companies to release some nice material to promote a new device, and Sony’s launch piece for the FX30, called Mastery in the Making, is a particularly pretty example. Sony’s stunning ‘Mastery in the Making’ promo for its new FX30 camera has drawn some criticism for using upscale production and cost to showcase the qualities of an avowedly indie camera.
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